The Sun’s Tirade, the follow-up to 2014’s Cilvia Demo, is a careful refinement of his previous work, hunkering down instead of scaling up. Luckily, Rashad insists on keeping his hands on the wheel.
Package these traits together and leave them in the right blogger’s inbox, and the car drives itself.
Isaiah Rashad could easily be a southern rap revivalist: He’s from Chattanooga, he’s rapped over “Elevators”, a slew of his songs allude to southern rappers (“Nelly”, “RIP Kevin Miller”, “Webbie Flow”), and he loved his first car enough to name his debut EP after it.